"To love another person is to know God in the face"

I just saw Les Miserables, the movie, based on Victor Hugo's 1862 novel.  Many of you may not have read the book, too bad Monsieur Hugo was paid by the word as the novel is a good 1000 pages, but well worth it!  The book was made into a musical and came out today (25 December 2012) on the big screen.  I saw the movie at Lighthouse Cinemas, in Pacific Grove, a quaint theatre nestled in the downtown of our sleepy town.

It was fantastic!  It really follows the passion that life can possess and the endurance of the human spirit - both for good and for bad.

If you don't know the story, Jean Valjean (Hugh Jackman) is enslaved (his punishment for stealing) and then released but violates his parole -  he assumes a new identity and starts a new life as an honest man, but he is not free as he is hunted from that point on by Javert (Russell Crowe), the unwavering face of the law who has made it his personal vendetta to seek justice.  Now we also have Fantine (Anne Hathaway), a mysterious factory worker who we discover from the other jealous co-workers, has a child, Cosette, whose father left and is being taken care of by an inn-keeper and his wife, although it is unbeknownst to Fantine that her Cosette is not treated very well.  After it is revealed that Fontine has a child, illegitimately, she is kicked out of her job and forced into prostitution to provide money to the inn-keepers for Cosette.  She falls ill and is discovered by Valjean who takes her to a hospital and promises to raise her child.  All the while, Javert has discovered Valjean's true identity and is determined to see justice served.  Doesn't happen.  Valjean finds the innkeepers (TheThenardiers), who feign the role of caring parents and pays them to take the child and Valjean and young Cosette escape into hiding.    

Much later, we see the grown Cosette, indeed under the (great) care of Valjean but living in secrecy as they are still hiding from Javert.  We are now in the midst of the French Revolution and the young revolutionaries are out in full force, including Marius Pontmercy (Eddie Redmayne) who sees the grown Cosette (Amanda Seyfried) in town one day and falls in love immediately.  Now in between the revolution, we also have a love story, a hopeless love and a secret (as Valjean's true identity is unknown to Cosette).

I will leave it at that because I really don't like spoiling the end of stories.

The music from the musical is fantastic and it was very well done in the movie. Who knew Russell Crowe could sing?  Anne Hathaway, who lost 25 lbs. for her role as Fantine does an excellent job looking miserable, half dead and defeated.  We, the audience, as we often do, find ourselves sympathizing with the underdog - having hope for true love, for true justice, not just the legal type, and believing in the goodness of humanity.

Movie - "The Sessions"

Oh. My. Lordy.  How refreshing!

I saw the movie "The Sessions" today.  It was fantastic.  It was provocative, romantic, real, sad, funny, raw, human and humane. It is based on the autobiographical writings by Mark O'Brien, a poet/writer who was not-quite-paralyzed from the neck down due to a bout of childhood polio.  He lives mostly in an iron lung and always on a gurney.  At 38, he sets out to lose his virginity and after consulting with his priest, decides to see a sex-therapist.  It challenges the conventional stigma surrounding the disabled and allows you to truly empathize with the guy.  The movie did a great job of bringing the characters to life - the relationships were real and you could genuinely relate, no phony business.

I think the actors were fantastic, John Hawkes plays Mark O'Brien and Helen Hunt is Cheryl Cohen-Green, the sex-therapist.   You really had a sense of empathy - both happy and sad, for Mark.  I will leave it at that, you ought to see the movie for yourself to truly experience it.  

Moonrise Kingdom

I just got back from seeing Moonrise Kingdom at the Osio Cinemas and it was awesome. Just charming and innocent. It made me feel like a kid again which is a delightful feeling. 

It takes place on an island off the coast of New England in 1966 and is about two kids who are "troubled" or misunderstood and plot to run away together.  Sam (Jared Gilman) is a "khaki scout" and orphan who has been going from one unsuccessful foster home to the next and Suzy (Kara Hayward) is the daughter of these two work obsessed lawyers who are having a tough time with their blossoming, outrageous nerd of a daughter.  The interaction between the kids is genuine, so honest.  Dramatic, as kids are, you can really remember the days when you were just so passionate about something that it just consumed your everything.  (Some of us are still that way but it is considered a juvenile trait.)  It was also nice to see Bill Murray, who played Suzy's father and Bruce Willis, the island cop, in these awkward, sepia-tone roles.  

A really cool thing about the movie is that it opened with clips from the 1946 movie Instruments of the Orchestra which features The Young Person's Guide to the Orchestra, a musical composition by the British composer, Benjamin Britten.  In my research after seeing Moonrise Kingdom, I actually learned that Benjamin Britten wrote quite a bit of music for children and young performers.  Very fitting for the movie. I appreciated the musical selection for the film, it fit very well.  

The filming was done very appropriately for the plot.  The way the camera moved was like a child's attention span and focus, I found that to really accentuate the young theme and atmosphere of the movie. The way the camera person moves through the house or follows the characters is how a child would, focusing on random, interesting things and skimming over the boring adult stuff. 

And the guy narrating (Bob Balaban) is awesome with his glasses, red coat and monotone voice. 

The little kitten in the basket was also the cutest thing.

Overall, I recommend you see this movie, it's fun.